LITM Pop Picks Tunes That You Can Chill With Brought To You By Farbod, Trey Ewald, Claudia Balla and More!

LITM Pop picks tunes for you to chill with featuring Farbod, Trey Ewald, Claudia Balla, Larry Karpenko and Xy Gala!

  1. Farbod -  Brother
    Farbod's "Brother" is an emotionally devastating pop ballad of hope, family, and childhood. The tune begins with a gentle piano melody, creating nostalgia and gentle power. Acoustic guitars and gentle percussion build up the instrumentation gradually, conjuring Avicii-esque emotional peaks, and the incorporation of lush strings and harmonies only makes it more emotionally impactful. Farbod's lyrics are inspirational and personal, recounting a story that is both universal and close at hand.

    The initial drop is held back, building up to the anthemic climax that comes afterwards. The change in the final chorus brings the song to a strangulation point of emotional climax, representing victory over vulnerability. "Brother" is a sincere oath to power and love, something anyone who keeps the unconquerable ties of family close to their heart will be able to relate to.

2. Trey Ewald - Every Other Month
"Trey Ewald's 'Every Other Month' is a slyly knowing pop sing-along about the spin on the merry-go-round of dating today. The song starts with a catchy, hooky theme that sets up the lighthearted but emotional question right away. Ewald's lyrics—honest and accessible—grapple with the irony of falling in love too frequently and too rapidly, just to experience some “heartache.".

The recording leans towards taut indie-pop textures, with skeletal rhythms and gummed-up vocal textures clinging to a fizzy atmosphere even when the lyrical charm is downbeat. The bare bridge of naked exposure adds gravity to what is otherwise frivolous material. Ewald walks a good tightrope between self-deprecating humor and actual heartfelt feeling, shaping "Every Other Month" into a song which has something for hopelessly romanticized and cynically predisposed listeners.

3. Claudia Balla - Imaginary Boyfriend
Claudia Balla's "Imaginary Boyfriend" is a rich and reflective pop song that unites contemporary electronic texture with age-old emotional reality. Through the otherworldly opening chords to the reflective lyrics, Balla leads listeners through the labyrinth of contemporary relationships. The song's story, constructing an imaginary relationship as a means of navigating the hurt of actual dating, is poignant and relatable.

Balla's classical background quietly informs in the arrangement of the song, with harmonies stacked and melodic richness elevating it above formula pop. The production is tastefully blended between modern pop beat and old-school undertones so that "Imaginary Boyfriend" is both modern and timeless. The song is an exemplary case of the quest for connection these days in the age of the internet, a combination of emotional appeal and catchy hook.

4. Larry Karpenko - Fare Thee Well
Larry Karpenko's "Fare Thee Well" is a peaceful and deeply emotive song that blends Christian contemporary values with worldwide notions of love and spirituality in harmony. The song begins with soothing piano chords setting a reflective mood, Karpenko's soft, ethereal voice. Production is deliberately understated, so the bare emotion of lyrics takes center stage.

Through the song, quiet rhythmic information and layered harmonies provide depth, generating a feeling of stagnated momentum. Arpeggiated chords and shimmering background textures provide a feeling of calm transcendence. The excellent performance by Karpenko, complemented by the song's positive message, makes "Fare Thee Well" a calming but deep experience that inspires reflection and hope.

5. Xy Gala - Lifeless Life
Xy Gala's "Lifeless Life" is an exhilarating mix of rock, contemporary trap, and alt-pop that captures the turmoil of balancing jobs, dreams, and relationships. The track starts with the dark, cinematic atmosphere and takes you along and the emotional journey continues. The gritty desperation and anthemic choruses that mount is the icing on the cake that lingers.

The production is lean and refined, every component—drum pounding, ambient synth, and fiery guitar solo—guiding along in collusion to produce a wraparound listen. Xy Gala's lyrics are introspective but otherworldly, a journalism of the neurosis of contemporary living. "Lifeless Life" is a testament to the artist's capability to produce clever and retrograde but irresistibly catchy music.

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LITM Rock Pick Tunes That Will Set The Vibe For You Featuring Here’s Your Martyr, Bureau De Change, Rough Born Legends and More!

LITM Rock picks tunes brought to you by Here’s Your Martyr, Bureau De Change, Rough Born Legends, Pascal & The Shades and Zachary Mason

  1. Paid By Cash -Here’s Your Martyr
    Your West Yorkshire shoegazers Paid By Cash is a maelstrom noise that draws you into its whirlpool centre. The song rages like a frenzy, brooding and inescapable, propelled by Ollie Carter's heavy vocals over the maelstrom quicksand of fizzing guitars and thudding drums. Carter's vocals veer between hold-back and sheer emotion, dancing atop the maelstrom soundscape like an ethereal spectre that can't be silenced.

    The combination of brooding basslines, strangling drumbeats, and wild guitars is claustrophobic yet strangely intimate. It's a sonic struggle between sanity and precision, perfectly choreographed to suspend ears on the brink. In its orchestral texture, the song develops as a slow-motion tempest, every beat drawing you into its emotional maelstrom.

    Here's Your Martyr is an ode to Paid By Cash's skill in making songs linger, ask questions, and make one think. New listener or old, the track is a spellbinding entrance to the band's high-voltage world.

2. Bureau De Change - Dumb Men (Radio Edit)
Bureau De Change's Dumb Men is a scathing, unforgiving call to arms that wrestles with catcalling, rape culture, and toxic masculinity with moral indignation. Frontwoman Flora draws on lived experience in a bid to release a seething denunciation of social etiquette, converting anger into provocation. The phrase "Why don't you just get fucked?" growled with raw, poisoned venom, is as cathartic as it is provocative, cutting through the din on sheer anger.

Musically, the song is a whirlpool of anarchy—seething guitars, pounding bass, and furious drums all joining together to form a storm of sound. Avoiding accepted root chords is all it does, and it works in its defiant appeal, exactly capturing Flora's angry indignation. The entire song simply sounds like revolt, from its structurally disorganized nature to self-consciously blasphemous lyrics.

Dumb Men is more than a song, it's a call to freedom and responsibility. Bureau De Change releases a dirty and shameless message that cannot be overlooked, cementing them again as a band to keep an eye on in 2025.

3. Rough Born Legends - Bright Star
London's Rough Born Legends sparkles with Bright Star, a sparkling single that marries ancient rock roots with modern flash. Released at the start of 2025, the single distills the spontaneous chemistry between lead guitarist Riki Andov and bassist Paul Bown. Their music chemistry created out of Bandmix projects has treated the world to a song that is classic but original.

Taped in Andov's studio shed, Bright Star preserves the magic of middle-of-the-night jamming. The propulsive bass and classic guitar motifs open up a roomy, earthy space simultaneously. Lyrics, composed of astral metaphor and love poetry, create an atmosphere of wonder, inviting listeners to reflect on relationships and harmony.

Taking cues from such legends as David Bowie and Led Zeppelin, Rough Born Legends employs contemporary aspects to give meaning to their music so that it becomes more enticing in the contemporary era. Bright Star is thus a radio-friendly, emotionally engaging single. The track puts them squarely in the realm of rock music and with a rosy future ahead.

4. Pascal & The Shades - Danger Moon
Danger Moon by Pascal & The Shades is a psychedelic ride on psychedelic rock and experimental folk. Composed by Paschalis Kalogeroudis, the song conjures an extraterrestrial magic through reflective verses accompanied by intergalactic melodies. The worlds of the song are expansive in scope, blending filigree guitar textures with inescapable rhythms to present an experiential experience.

The music explores emotion and transcendence, leading the listener to a realm of introspection where fantasy and reality cannot be separated from one another. Kalogeroudis' singing, backed by the band's virtuoso musicianship, creates an atmosphere that is both haunting and comforting. Danger Moon is an auditory journey into the unknown, a trip to the bottom of human relationships and self-awareness.

Pascal & The Shades will not be bound by the trappings of their genre, making music that lingers in the head hours after the last note. Danger Moon is a creative vision, providing music from another world that needs to be heard again and again.

5. Zachary Mason - I Wish Humans Were Made In A Factory
Zachary Mason's I Wish Humans Were Made In A Factory is a free-form, mind-stretching adventure into the nuts and bolts of humanity. Starting from disillusion public and private, the song meshes scorching lyrics with a catchy indie rock rhythm to become a song both as captivating and unsettling.

Mason's vocal inflection is drenched in desperation, fluctuating between reporter-like matter-of-factness and the occasional spasms of zealotry. Phrases such as "Bitter glances. Angry eyes. Messed-up minds in messed-up lives!" summarize the angst and irony of his accounts of the flaws of life. Using the human-being-as-factory-product cliche ridiculed the sloppiness of life and taunts the fallacy of perfectionism.

Musically, the album is a raw, gritty indie rock gem. Gritty grungy guitar riffing, hyperkinetic keyboard textures, and pounding rhythm section are exactly the right attitude for Mason's thoughtful rambles. Its raw-around-the-edges accessibility and in-your-face lyricism, I Wish Humans Were Made In A Factory is a classic record that has a field day with Mason's unapologetic creativity.

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THE HYBRIS - T H R E E | An Album You Definitely Do Not Want to Miss

The masked heroes of modern rock are back! THE HYBRIS, a trio who wield guitars as capes and lyrics as grappling hooks, have given their new work to us mere mortals, T H R E E. Fitting with their mysterious persona and genre-bending lineage, the album is a wild ride of pop-punk, indie-rock, and synth-drenched mayhem that gets its hooks into your ears and won't let go. Fasten your seatbelts—this isn't your average album review.

The three whose alter-egos—Ringo Rabbit, Beanie Bison, and Malcolm Mandrill—would be a good Saturday morning cartoon crew fighting to defend the world, have once more muddled the line between music and heroism. From the opening chords of "Capital Of Sin (Ringo Begins)," the album does not hesitate to create a dystopian atmosphere through the use of spoken-word tales and tribal beats. It's a bold call to action, reminiscent of a superhero origin story told in amps set to eleven.

And just when you've got the aura down, T H R E E whacks you with a left hook. Check out "Back To Earth 1," where Bowie swagger crashes with a pop-punk chorus so catchy it must be illegal. The track is like a sound chameleon, changing colors and delivering a battle cry for anyone who has ears and a pulse.

What sets T H R E E apart is not necessarily the music—it's the mission. THE HYBRIS aren't just making bangers; they're intent on breaking the mold. Their lyrics, dripping with searing social commentary and unapologetic activism, transform every track into a rallying cry. It's music for the disillusioned, the disenfranchised, and the hopeful, presented in arena-capable hooks and punk-fueled bite.

The transnational roots of the band—Nice, LA, and Cologne—infuse their music with a cosmopolitan kick, a global rock buffet that is familiar and nice and nasty. And while their superhero secret identities and anonymity may be perceived as a marketing ploy, the music speaks volumes. There is no caped cosplay going on here; there is a mission to save the world, track by anthemic track.

During an age of cookie-cutter records and the radio singles overload of over-production,

T H R E E is a maddened, thrilling, and unbeguiled masterpiece. A confirmation that one doesn't necessarily need a face in order to leave an indelible impression but only must have guts, heart, and one killer guitar riff.

So grab your mask, crank up the sound, and join THE HYBRIS on their quest to rewrite the rulebook of rock. Because T H R E E is not just an album—it's a revolution. And trust me, you wouldn't want to be anywhere else.

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LITM Rock Picks Some Ground-breaking Music Featuring Fuches, Jakob The Liar, Ray Joyce and More!

LITM Rock picks tunes that have caused ripples across the music realm brought to you by Fuches, Jakob The Liar, Ray Joyce, Lockdown Co. and Novozero!

  1. Fuches - Reckoning
    FUCHES' Reckoning is a fist-pounding, genre-defying piece of art that addictions you from the first note and won't let go. It starts with a pounding synth riff that sets the warning sign for danger, trapping listeners in a high-stakes situation that's as raw as it is exhilarating. It's the sonic equivalent of coming across a sunset face-off between smoke-talkers—tense, brash, and unforgettable. The lyrics read like scenes from a gritty film, vividly painting a narrative of internal and external struggles. Lines like, “I left my wits in the trunk of my old car / ’Cause I’m done trying to prove myself,” resonate with raw emotion and vulnerability, adding depth to the track’s ferocity.
    FUCHES' whiskey-voiced vocals add raw-around-the-edges grit to the party, slicing through with the filthful soundscapes. Full-steam-ahead production marries atmospheric synths, punishing beats, and crescendo-building tension, detonating with a gasping release. It ain't music; it's an experience—an experience unto itself.

2. Jakob The Liar  - A Song Like You
Jakob The Liar releases a love song to put an end to all love songs in A Song Like You, a life-giving, effervescent love parade larger than life. From the opening glistening chord, the song constructs a make-believe heaven where love's an affair of the senses. Jakob's raspy voice with enthusiasm speaks the vulnerability and anticipation of finding "the one." The rhythm section is cranked up with thudding drums, slapping bass, and electric guitar riffs that burst like fireworks at night.

The song's lyrics are truly real, skipping over the clichés to speak of getting over past wounds and finding a love that has been worth waiting for. Jakob's genre blend here succeeds because aspects of pop, indie rock, folk, and retro rock mesh to create a sound that is uniquely his. A Song Like You is not a song; it's a feat, an indication that love's magic is waiting to be unlocked.

3. Ray Joyce - I Hope You Are Happy (But Not Too Much)
Ray Joyce's I Hope You Are Happy (But Not Too Much) is a brilliant take on post-breakup feelings' bittersweet ambivalence in brilliant composition and actual delivery. The song balances the dilemma of wanting one's happiness, but suffering from the agony of leaving behind. Joyce's lyrics are perceptive and introspective, walking the thin line between bare and perception. The lyrics aptly weave the contradictions of love and loss.

The immaculate drums and guitars are super effective, and the texture creates a perfect backdrop for the naked emotion in Joyce's voice. The structure of the song gives ample room for the storytelling to be center stage, providing very personal listening. It's not just a break-up tune—it's a journey of the human experience, with great melodies and lyrics that any individual can connect with. Joyce has crafted a song that stays in your heart once it's over.

4. Lockdown Co. - Frontier
Frontier is a revelation for Lockdown Co., though, with their ability to take liberties and challenge themselves without sacrificing their uncompromising rock roots. This track is a masterclass in how to pare down ostensibly contradictory things - grunge and blues, progressive rock - into something new and somehow instantly familiar. Leah Bell-Miller's vocals are the star, with measured performances tastefully backed by the trio's intricate arrangements.

The production is mature and regal, a reflection of how far the band has come from the times when they were essentially instrumentalists. The song is packed with soulful melodies, heavyweight riffs, and rhythmic complexity to make for an engaging listen. Frontier also taps into introspection, longevities, and creativity finding an engaging start-to-finish journey. Lockdown Co. has put out an album of music that not only establishes them within the underground rock fan base but makes one question if they will ever be able to crossover into the mainstream successfully

5. Novozero - To All The Times
Novozero's To All The Times is a dreamy blend of psychedelic and atmospheric rock that takes listeners on an aural and emotional journey. Anna on synths and vocals and Andreas on guitar and bass create a dense, enveloping soundfield as the Northern Norwegian duo. It begins with a wailing bassline and faint electric guitar melody, immersed in a hypnagogic synth pad that creates an otherworldly mood.

Anna's gentle but firm voice navigates the intricate sound schemes with even comfort. The tempo is faster in the song and is sustained by a repetitive drum beat that drives the song. The chorus is superb with enormous guitar riffs, bluesy vocals, and a spine-tingling solo that entertains the crowd to the duo's skill. With inspiration from legends like Pink Floyd and Muse, Novozero offers a song that is retro but progressive—a must-listen for global rock enthusiasts.

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LITM Rock Picks showcases genre-fusing, stirring soundscapes from artists Irene Miras, eRapWMDX, Books of Moods, and others

This edition of LITM Rock Picks brings different languages, genres, and stories, all with a common thread; melodies that speak to the soul. Experience these remarkable soundscapes from artists Irene Miras, eRapWMDX, Books Of Moods, Mountain Climer, and Sirenglas.

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LITM Rock Picks Tunes To Set Your Week The Right Way Featuring Timothy and the Apocalypse, You Me & Kyle, OiTaTe and More!

LITM Rock picks tunes that will set your mood just right to tackle the week with songs brought to you by Timothy and the Apocolypse, You Me & Kyle, OiTaTe, Angie Fights Crime and Ahorasoyfelipe!

  1. Timothy and the Apocolypse - Drive
    Timothy and the Apocalypse's "Drive" is an engrossing mix of indie rock and electronic fusion that provides a memorable listening experience. The instant chiming guitars bring in a hypnotic chord progression, the song grabs your attention. Its catchy rhythm combines perfectly with kinetic beats, and the result is a relentless energy that courses through every note. The detailed live drums bring depth and movement, and the sustained harmonies take the composition to an electronic orchestral height.

    When the vocals come in, they are surrounded by their cosmic and textured harmonies, which induce a hypnotic trance. The glittering guitars and multi-tracked synths provide a broad but close soundstage. When the grungy guitars come in, the track makes a brassier, rock-influenced transition and brings in a dynamic twist to heighten the power of the song.

    The cinematic lyric interlude—"If you want to go fast / and you can drive me home"—seal the emotional hold of the song. Timothy and the Apocalypse strike the perfect balance of futurism and retro, laying down a disc that's as fascinating as it is technically impressive. With its sound-movie-soundtrack-like and unavoidable hooks, "Drive" is a flat-out playlist necessity.

2. You Me & Kyle - Flying Cars
You know how we thought we’d see "flying cars in 2024? Well, they didn’t lie, did they? The type may have been inconclusive but hey, we got something! You Me & Kyle have released a first album that sounds anthemic, Flying Cars, a retro indie rock nod with the decorous markings of alternative and pop rock overtones. It's an eight-song sprint, a welcome melding of sounds; every one poppy vocals and melodic guitar playing.

The songwriting is the album's greatest strength, with a twist on each cut. It's the kind of album that you're wondering what they're going to do next, but every surprise feels right. From the pop hooks through the glossy production, each song sounds planned out and complete.

Overall, this album is nice to listen to, and from a cohesive viewpoint, the project envelops into a lush, sound discovery on the listeners' part. Band members have played a great hand in balancing change and familiarity throughout an odd-sounding but nevertheless familiar sound track.

To the new fans of You Me & Kyle, this album is a good one to get used to, in introducing them to their capability and expertise. It is the kind that you cannot afford to leave behind, and it makes you keep listening to it, as they are a band to watch out for.

3. OiTaTe - Arak Zachlawi
OiTaTe continues to break genre boundaries on their latest single, "Arak Zachlawi." A trance-like instrumental track made up of extended guitars, intricate polyrhythms, and Middle Eastern-flavored scales, the song takes its cues from everywhere but brings it all together with masterful skill. They appropriate Anatolian, Middle Eastern, and psychedelic grooves in a blend.

Its title does its spinning sensation perfectly justice—a spinning combination of world music, jazz, and indie rock older than the hills, yet fresher than tomorrow. The trio band, composed of experienced producers Ofer and Eran Prion and drummer Matan Avnher, takes on a sonic ride as captivating as its original.

As Arak Zachlawi" goes, OiTaTe sails through rhythmic layers effortlessly, balancing earthiness with experimentation and all set against a Mediterranean and Balkan influence track. A great choice for experimental rock fusion fanatics or someone looking for something new, this one will surely please everyone when it gives psychedelic instrumentals a run for their money as it gives high hopes about impressing one.

4. Angie Fights Crime - Savior of The World
Angie Fights Crime delivers post-punk revival with their new release, a testament that raw power and eclecticism are characteristics of sound. "Savior of the World" is a case in point as a representation of the band's capacity to combine emotional storytelling with driving music.

The opening track establishes the mood, marrying emotional sections into sudden bursts of energy with an air of static charge. Melody is spun with definition, forming a kinetic union of voice and instrument that feels real. Angie Fights Crime takes rock's roots and makes them the focal point of its sound and reimagines them, keeping it retro without feeling outdated and new without feeling alien.

This record is full of post-punk, as it is full of depth of emotion and charged performances. Angie Fights Crime proves they're not just reviving a genre; they're modernizing it.

5. ahorasoyfelipe - BAILANDO EN EL CIELO
ahorasoyfelipe's "Bailando En El Cielo" is a divine mixture of electronic and reggaeton music that takes the listener to another planet. The upbeat rhythm and silky, melodic flow of this tune lead to a whirling beat that is earthly yet divine.

The title of the song, "Dancing in the Sky," is also reflected in its celestial soundscape. ahorasoyfelipe weaves together timeless Latin beats with otherworldly electronics in a trance-like and danceable manner. The vocals are delivered with urgency and passion, and they express a sense of joy and longing that's extremely emotive.

Perfect for night dance floors or hyper dance floors, "Bailando En El Cielo" is a dance that basks in the bliss of life and music. Its blend of harmonious genres and passionate performance create an instant hit song, challenging one to let go of oneself in the rhythm and drift among the stars.

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