LITM Rock Picks Tunes Featuring Low Wave, Sean Griffin, Pool Club and More!

LITM Rock Picks Tunes Brought To You by Low Wave, Sean Griffin, Pool Club, Phil and Chandra!

1. Low Wave – "Poison Pear"

If there was a soundtrack to desert heat, it'd be like Low Wave's "Poison Pear." It's as if the song is half-fuzzy, half-feral, and half-exquisitely calibrated. It's like the illegitimate child of Skunk Anansie and Queens of the Stone Age after a drunken night in a bright, tawdry dive bar. There’s something deliciously unhinged about it - those riffs shimmer with psychedelic sweat, the bassline struts like it owns the place, and the vocals? They slice clean through the haze, balancing fury with finesse. You can hear the ghosts of Jefferson Airplane floating through the mix, but this is no nostalgia trip - it’s a full-throttle revival. Low Wave constructs rock architecture the way it should be done: jagged, unrepentant, and full of life. "Poison Pear" is massive without being bloated, defiant without brashness - a demonstration that rock can still sound risky and smart. It's the type of song that won't request your attention - it commands it, smiling in the process.

2. Sean Griffin – "Rocks Off"

Seán Griffin's "Rocks Off" is just what it claims to be - a filthy, swaggering piece of rock 'n' roll that punches like a shot of whiskey followed by a boost of adrenaline. From the opening guitar sting, you know you're in for a wild ride through unadulterated fun. The song charges headlong like a fight in a bar and has the allure of a vintage jukebox song. Griffin's vocals snarl and howl with conviction, underpinned by a beat so tight you could coin-toss off it. You can pick up notes of The Ramones and Billy Bragg, but Griffin grounds it in his own unique way - a sound mix of Celtic toughness and Catskill soul. The wah-wild guitars and growling bassline add to it the garage rock snarl that has been missing from playlists recently. There's no overpolishing here- and that's the magic. "Rocks Off" is rock at its most basic: sweaty, loud, and alive enough to make you think again.

3. Pool Club – "Changing Tides"

"Changing Tides" by Pool Club is like a deep breath - one of those great songs that doesn't merely play to you but with you, coaxing you down slowly until you remember to forget to breathe. Constructed on glistening synth layers and waves of ethereal guitar, it's the sound of introspection translated to cinema. The indie-pop heartbeat keeps it light, while the chillwave textures give it this oddly weightless sadness - ideal for late-night drives or midnight musings. It's music for individuals in the position of great life changes, looking into the void and saying, "maybe that's alright." Each beat, every reverberation sounds deliberate, as if emotional support beams propping the entire thing up. Pool Club have produced not only a track, but a landscape - one that knows the pain of uncertainty and makes it something beautiful in an odd kind of way. If existential crises did have a soundtrack, "Changing Tides" would be the reassuring hum on the periphery.

4. Phil – "Home"

Vienna indie band Phil reached a quietly dazzling groove with "Home," a track that simultaneously feels both intensely familiar and somewhat unreal - as if a dream you continue attempting to recollect upon waking. The first groove is an instant tip of the hat to Tame Impala's smooth funk, but there's an undeniably European sadness threaded through the synth rushes and basslines. "Shiny on the outside, burning bright…" That one line alone explains the pain hiding behind the track's gleaming fringes. The production is lush but unpressed; each instrument allowed room to breathe, to hurt, to signify. What makes “Home” linger is its intimacy: it’s not just about belonging somewhere, but about the quiet restlessness that comes with it. The song hums with that tension - comfort vs curiosity, peace vs the pull of motion. Phil doesn’t shout to be heard; they whisper truths wrapped in groove. And that’s why “Home” hits harder the longer it stays with you.

5. Chandra – “It’s OK”

Chandra's "It's OK" is the type of song that's hugging you and high-fiving you simultaneously. It's sunny, explosive, and emotionally raw - a contemporary rock anthem with its heart firmly on its sleeve. Right from the introductory riff, it crackles with drive: sharp drums, jangling guitars, and a melody that almost demands to be sung back in a hot club. But beneath the singalong sheen is a message that cuts deeper than most inspirational posters ever could - "It's OK to not be OK." No platitudes, no manufactured optimism, just sheer relief at being human. Chandra Nair presents it with gritty conviction, walking the tightrope of vulnerability and confidence, with producer Elliot Vaughan ensuring every beat connects with precision and warmth. "It's OK" sounds like sunshine bursting through a persistent haze - glorious, purifying, and incontrovertibly alive. If joy had an electric guitar, this would be its sound.

Follow the playlist for all new artist updates!

If you would like to submit your music for playlist or review consideration, please submit here

LITM Rock Brings You Tunes to set the week featuring Izira Burley, One Man Boycott, Massimo Cambiano

LITM Rock picks tunes brought to you by Izira Burley, One Man Boycott, and Massimo Cambiano!

1. Izira Burley – "who i used to be"

Izira Burley's "who i used to be" is the type of song that feels like it's been hiding in the depths of your subconscious - just waiting for the very right heartbreak, epiphany, or 3 a.m. meltdown to let its presence be known. Burley goes all in on the turmoil of rebirth, making vulnerability a sweeping monsoon of sound. Her voice is alchemical - smoky, soaring, and inescapable - coasting from ethereal whisper to rich catharsis. Imagine Evanescence if Phoebe Bridgers were their musical upbringing and David Fincher one of the reference points for production. The guitars growl, the drums slam like emotional punctuation, and over it all Burley presides with a rawness that's both intimate and untouchable. It's moody, magnetic, and perilously relatable - the type of song that has you reaching for your ex to text and compose poetry. Izira doesn't just sing here -she cleanses, and it's positively live.

2. One Man Boycott – "Imposter Syndrome" (from Face For Radio)

"Imposter Syndrome" strikes like a slap in the face of caffeine - a shot of pop-punk therapy smothered in the glorious din of revolution and rebirth. Joe Brewer, the enfant terrible of One Man Boycott, puts all his self-doubt and creative fatigue into a record that blows way out of proportion. This isn't another angsty anthem – it's the noise of someone struggling to enjoy himself again, riff by riff. The guitars riot with an unapologetic honesty that makes your internal teenager want to pump its fist into the air, and Brewer's vocals toggle between gritty punch and singing heartache. The hooks? Glass-cutting sharp. The lyrics? Bluntly honest without ever despairing. Face For Radio is like a love letter to the golden age of punk, updated with contemporary heart. If you've ever doubted yourself and then still managed to show up, this song is for you. Spoiler alert: you're exactly where you're meant to be, and Brewer is here to remind you of that.

3. Massimo Cambiano – "Luck, Timing & Birth"

Massimo Cambiano's "Luck, Timing & Birth" is like sitting on a park bench as sunset approaches and the world passing by and seeing that every turn of fate has its beat. It's considerate without ever being preachy, silky without ever being superficial - a song that occupied the nexus of jazz sophistication, pop lucidity, and indie contemplation. Cambiano's voice floats across a groove that's at once low-key and compelling, the sort of thing that gets stuck in your head and won't quietly exit. His lyrics are a philosopher's musings on how the smallest brushstrokes of fate determine our existence. It's aware of itself without being too awfully serious - a smile wrapped in tune. The production is crisp, the instrumentation rich, and the feel? All late-night-drive stuff. Pondering fate or simply grooving with a glass of wine in hand, "Luck, Timing & Birth" ensures that sometimes the universe does get it right.

Follow the playlist for all new artist updates!

If you would like to submit your music for playlist or review consideration, please submit here.

LITM Pop Picks Tunes To Tap Your Feet along featuring don't get lemon, Satellite Train and Scirii!

LITM Pop Picks Tunes For you brought to you by don't get lemon, Satellite Train and Scirii!

1. Don't Get Lemon – "Paid Holiday"

If suburbia existed, its soundtrack would be Don't Get Lemon's "Paid Holiday"- half-dream and half-disillusionment, all in glistening synths that refract like sunlight off the windshield of a car you can't afford to get washed. The track oozes a kind of cinematic escapism- that feeling of staring out of your cubicle window and imagining you’re in a retro music video instead of another Monday meeting. Vocals slice through like neon in a foggy night, effortlessly cool yet strangely tender. There's irony in the saccharine, a wink of recognition under the sheen - as if the band is saying to us, "yeah, this is heaven… if you squint hard enough." Each beat is like the rhythm of a city attempting to fall in love with itself all over again. Don't Get Lemon have created something that's not merely synth-pop nostalgia - it's a clever resistance to the drudgery it apes. Call it existential disco.

2. Satellite Train – "James Dean"

"James Dean" by Satellite Train is the aural equivalent of a leather jacket- coolly understated, utterly retro, and sure to leave you with the sense of slow-motion gusts of wind in your hair. It's more than a song; it's a paean to the rebellion mythos - that unattainable ideal of living fast and never dying out. With electric riffs that glimmer like chrome in the light of streetlights and lyrics that dance with immortality, this song doesn't grieve over Dean - it revels in the mayhem he left behind. There's a filmic allure here, the kind that compels you to drive down a deserted highway at sunset, windows rolled down, pursuing a sensation that no longer exists. Satellite Train records the restless pain of youth and celebrity and makes it something you can dance to. Nostalgic? Yeah. Melancholic? To some extent. But above all, it's pure, unadulterated swagger - rock 'n' roll distilled into three minutes.

3. Scirii – "Femme Fatale"

Scirii's "Femme Fatale" doesn't enter a room - it glides in, smiling, lipstick perfect, energy dangerous. It's the sort of song that doesn't merely play but seduces you first, then laughs as you fall. Constructed out of smoky synth textures and razored whispers, this song has the feel of a closing shot in a neo-noir film where no one truly wins but everyone looks great losing. Scirii’s voice — equal parts angelic and venomous - commands every second of your attention, threading through minimal beats and haunted pianos with unnerving grace. Recorded in her bedroom, it somehow sounds like it was mixed in the underworld - intimate, unsettling, and completely magnetic. Lyrically, it’s chaos with lipstick on: “I’ll make it worse, on purpose” isn’t just a line, it’s a mission statement. Imagine Lana Del Rey's sorrow crossed with Evanescence's drama, but in the universe of Scirii, she's the one who's holding the mirror - and challenging you to peek behind it

Follow the playlist for all new artist updates!

If you would like to submit your music for playlist or review consideration, please submit here