At Lost In The Manor we’re in the fortunate position of gaining up-close access to some thrilling talent, thanks to our blog, press campaigns and especially our live promotions. And we’ve been lucky enough to sign to our digital label some of the bands and artists who’ve really excited us. Here’s our current roster of acts that demand everyone's attention
“A whirlwind rollercoaster of sound” Gigslutz
“Gritty, melodic and catchy all at once” Turtle Tempo
“All the elements needed to keep rock’n’roll alive.” Clunk magazine
“A mosh-pit singalong. Play loud!” Melita Dennett, BBC Introducing
“I'm blown away, ladies and gentlemen” It’s All Indie
“Beautiful, blues-infused folk rock” Afropunk
“Soulful and convincing funk- indie-rock, with a softly Hendrixian vibe” Fame Magazine
“Classic British electronic music with an edge” Louder Than War
“All sharp edges and highly polished metallics – tune in now” Clash
“What Richard Ashcroft might have been getting his chops around had he spent his childhood obsessed with synthesisers” We Close Tonight
“A robust concoction of electronica” Born Music
'Explosive from the off, a jagged guitar riff nailed against an anthemic vocal' Clash
'Dynamic post-Britpop, slacker rock riot' Euphoria
‘A tribute to British awkwardness’ Wonderland Magazine
‘Really fucking good' Indie Shuffle
'A thumping return ' Clash
'"Summer Rain", is a bold and brazen track that presents a more psychedelic slant on the classic rock formula' The Line of Best Fit
“Perfectly oddball pop” Clash
“Powerful and impressive” Louder Than War
”Fantastic” Indie Shuffle
“Can’t be described but need to be heard, again and again” Right Chord Music
“Waves of synths wash across the record, while swirling, reverb-heavy guitars create its undercurrent” CMU Approved
“Their xx-meets-Jon Hopkins ambience sees The fin.’s cinematic tendencies take the fore” DIY
“Featuring symphonic arpeggios, minimalist instrumentation and spaced-out vocals, The fin. truly capture a quiet euphoria” Earmilk
“A mesmeric ebb and flow” Little Indie Blogs
‘Upbeat funkadelic pop’ - The Line of Best Fit
‘A joy from beginning to end’ - CMU Approved
‘Organic Grizzly Bear-esque percussion with the deep, permeating riffs of Foals’ - The 405
‘A bit Bowie. A bit Prince. It’s also kinda Talking Heads and kinda Hot Chip’ - Killing Moon
‘Impossibly catchy’ - Louder Than War
‘Drifting, mellowed-out synth pop with a bittersweet taste' - Clash