“A whirlwind rollercoaster of sound” Gigslutz
“Gritty, melodic and catchy all at once” Turtle Tempo
“All the elements needed to keep rock’n’roll alive.” Clunk magazine
“A mosh-pit singalong. Play loud!” Melita Dennett, BBC Introducing
“I'm blown away, ladies and gentlemen” It’s All Indie
Read More“Beautiful, blues-infused folk rock” Afropunk
“Soulful and convincing funk- indie-rock, with a softly Hendrixian vibe” Fame Magazine
“Classic British electronic music with an edge” Louder Than War
“All sharp edges and highly polished metallics – tune in now” Clash
“What Richard Ashcroft might have been getting his chops around had he spent his childhood obsessed with synthesisers” We Close Tonight
“A robust concoction of electronica” Born Music
‘Upbeat funkadelic pop’ - The Line of Best Fit
‘A joy from beginning to end’ - CMU Approved
‘Organic Grizzly Bear-esque percussion with the deep, permeating riffs of Foals’ - The 405
‘A bit Bowie. A bit Prince. It’s also kinda Talking Heads and kinda Hot Chip’ - Killing Moon
‘Impossibly catchy’ - Louder Than War
‘Drifting, mellowed-out synth pop with a bittersweet taste' - Clash
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"Vibrant, explicit visuals are accompanied by flowing glitchy beats and soaring Beth Gibbons-esque vocals" GET IN HER EARS
"This is part Sneaker Pimps, part 12 Rounds, a little bit Massive Attack and a smidge of Everything But The Girl all mixed by Bjork using a kaleidoscope for a cocktail mixer and it tastes fabulous, darling. Pull up achairagraba glass."Listen With Monger
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‘SUPERFICIAL combines smooth electronic beats with Tommy's unique soulful voice’ Holly Alexander
“Like what they heard” John Kennedy, Radio X
“Tommy clearly has a good talent and the track is pretty cool (great video too)” Nathan Thompson, Head of Music for Kiss Network
“Tom certainly has a unique vocal sound. The song is good and production comes across as fairly contemporary” Jeff Smith, Head of Music , BBC Radio 2 & 6 Music
Read More'Explosive from the off, a jagged guitar riff nailed against an anthemic vocal' Clash
'Dynamic post-Britpop, slacker rock riot' Euphoria
‘A tribute to British awkwardness’ Wonderland Magazine
‘Really fucking good' Indie Shuffle
“A mesmerising cut of folktronica” The Blue Walrus
"Thoroughly refreshing, engaging and delighting - and all in equal measure." Listen With Monger
‘It's a biting surf-rock wig-out’ CLASH
‘Intriguing songwriting and catchy hooks’ Glamglare
‘THE STROKES Are Dead! Long Live SOMEDAYS!’ Turn Up The Volume
“They’re well on their way to achieving great things” Gigslutz
“Only Takes A Day are like a more melodic version of Scroobius Pip’’ Brixton Blog
"Sardonic wit and an impeccable & rhythmic cadence…" RAWRAMP
"Take this as a call to arms of those with talent and a notebook." Jammerzine
"They’re unafraid of going against the grain, and bringing contradictions together, and it pays off." Gigslutz
“Crunching alt-rock from the London risers...” CLASH
"Smooth existential rock piece that sends exhilarating breeze through your system." AUPIUM
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‘Slow Morning’ is slow and sinuous and downright groovy in its tentative indecision.' Americana UK
‘It is clear that there are big things on the horizon’ Right Chord Music
‘Enchanting, rambling songs that recall the whimsy of Tindersticks, the darkness of Nick Cave and the Bad Seeds and the quirkiness of Belle and Sebastian’ Back Seat Mafia
'Gritty, aligned with that dark-country sound, part The Deep Dark Woods, part Neil Young (and hints of Thom Yorke).' Great Dark Wonder
“A shimmering slice of synth goodness” DIY Magazine
“English vocals, tasty keyboard action and fine production” Fresh On The Net
“One of the most addictive hooks of the year” Crack In The Road
Read More"Hero is brilliant…" Dave Rowntree, Blur
“I love her attitude...She's got it in spades” Tom Furse, The Horrors
"Over-riding ambition billows out of her music” Clash Music
“Hero Fisher is bound for great things” The Guardian
“Moody, brooding stuff” NME
“Poetic, magical realism mixed in with Trip Hop” Bobby Friction BBC Asian Network
“Dank, trip-hop songwriting with a twilight feel” Clash
“A wonderfully unique sound” Listen With Monger
“Soulful vocals set alongside glitchy beats and ethereal, whirring hooks” GET IN HER EARS
"She is breathing some much deserved new life into the Trip Hop genre as a whole." DJ MAG
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“IAKO may will be the Venetian troubadour you’ve been looking for in 2018” Four Culture
“Tender vocals with bold, dynamic songwriting” Gigslutz
“A rich blend of folk and ambient sounds” For Folks Sake
“Searing honesty and harmonics” Briggy Smale, BBC Radio 1
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"It's a swaggering piece of indie-soul..." Clash
"Slick and soulful, but with just the right amount of rough around the edge"Belwood Music
"This is indie-rock with soul, style with substance and a debut that shows off a band with a particularly bright future."Listen With Monger
"Harker Moon is that wonderful fusion of jazz, pop, and soul that’s been made modern"The Music Below
“Indie hopefuls with a hi-octane approach” CLASH
“FAERS are creating something that is incredibly on trend at the moment.” It’s All Indie
“A band to watch out for in 2017" Gigslutz.
"When dreaming on a dull day, FAERS are able to take you even further away from reality" Artefact Magazine
“There are shades of Maccabees, Bombay Bicycle Club and The Twang all in the mix here. Indie pop you can dance to.” Fred Perry Subculture
‘We want to know everything. Stunning!’ BBC Introducing
‘It's a beautifully constructed folk-pop hymn’ CLASH
“Rarely has a song about the ocean captured the spirit better’ Glamglare
‘Pure, raw and full of energy, much like the crashing waves on the beach’ It’s All Indie
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