Chaidura Illuminates the Shadows of Alternative Music With Latest Single “The Light”

Written by Marilù Ciabattoni

Discovered via Musosoup

THE ENIGMATIC ALTERNATIVE ARTIST FROM LONDON — Chaidura, who seamlessly fuses alternative metal with Japanese visual kei aesthetics in her music. In a world where self-expression and acceptance reign supreme, Chaidura creates a unique sonic experience, emphasizing the delicate balance between beauty and horror.

Born as an experimental solo project during lockdown, Chaidura's sound has evolved through intentional experiments, drawing inspiration from influences such as rock band Bring Me the Horizon and iconic visual kei bands the GazettE Dir En Grey. 

With hit singles such as "Menace" and "Night Forever," Chaidura's dynamic, genre-bending approach leaves audiences captivated. As we delve into the artist’s journey, expect surprises, vulnerability, and a reminder that even in darkness, "The Light" can emerge.

Read below to learn more about Chaidura’s musical style, how she crafts her songs, and what inspired her most recent track, “The Light.”

LITM: Introduce yourself — who is Chaidura?

CHAIDURA: Hello, there. I'm Chaidura, an alternative artist based in London. My music can be said to be a blend of alternative metal and Japanese visual kei. I place a huge emphasis on visuals that blend beauty with horror, striving to create a comforting juxtaposition for my audiences. On a philosophical level, Chaidura stands for self-expression, acceptance, and understanding.

LITM: How and when was this musical project born?

CHAIDURA: Chaidura was born as an experimental solo project during the lockdown. I was previously in other local bands that played more “indie” genres, like math rock and post-rock. I always felt that something was lacking from those music genres and decided to play around with a more theatrical style of music. I would say that my need for self-expression manifested itself as Chaidura.

LITM: How has your music changed within the past few years?

CHAIDURA: I would consider all my songs before “Basilisk” as experiments. I was essentially trying to find my sound. If you listen to the singles before “Basilisk,” the songs are all very different. There are heavy songs (“Menace”), dramatic songs (“Ante Metus,” “Insect Kill All”), and more pop-sounding songs (“With You,” “Night Forever”). These were all intentional experiments for me to find what is truly Chaidura. I wouldn’t say that I’m 100% sure of my sound now, but it’s moving towards a genre and production that is dynamic, unexpected, and genre-bending. I’m someone that loves change and gets bored of a similar sound pretty quick, so I do expect this to continue changing in the future as well.

LITM: Who are the biggest influences on your music?

CHAIDURA: Bring Me the Horizon is a big influence [for] me. Two things stick out for me from BMTH. Firstly, the heaviness and raw emotions. Their There Is a Hell album was the one that got me hooked on them, and I appreciated the vulnerability and ferocity. Secondly, their production and creativity. In the past few years, they have experimented with so many different sounds and styles and I really, really love that. That spirit is so inspiring and has been something I try to embody.

However, the largest influences for me are visual kei bands: the GazettE and Dir En Grey. I could go on and on about them forever. But essentially I’m inspired by the theatrical and dramatic nature of their songs, accompanied by their mesmerizing visuals and style. These two bands are the reason why I’m doing music.

LITM: Could you introduce your favorite singles you've released so far?

CHAIDURA: “Menace” — I believe it is one of my most-played tracks on Spotify. I like this song a lot, as it’s the main reason that brought me into the UK alternative scene. Many of the friends and fans that I made in the UK discovered me through “Menace.” It was also the first song that got featured on BBC Radio One, so it’s a meaningful one for me.

[To this day], “Night” Forever is still my proudest creation. It’s a song about the hypothetical idea of waiting for your loved one in the afterlife. You want to see them but you don’t want them to die. I’m not a pop musician, so this song was literally the hardest to create, and that’s why it’s my favorite.

LITM: How did you develop your style? Will you experiment with other genres in the future?

CHAIDURA: The main answer would be through experimentation and listening to different genres (I honestly rarely listen to metal these days). But I would say that having a narrative-driven approach to songwriting helped develop this chaotic style. The way I view making music is like making a movie. Movies have loads of ups and downs emotionally. There is an action sequence, an emotional sequence, and a calm sequence. I think I subconsciously brought this dynamism to my music. [I’ll be] experimenting in the future, 100%. Don’t be shocked if I start doing hip-hop (laughs).

LITM: Let's talk about "The Light." What inspired the track, and how did it come to life?

CHAIDURA: I do have a great tendency to keep everything to myself, to shoulder all burdens. There are plenty of times when I have experienced burnout and exhausted myself to bits. Where does this come from? Is it some pride? Is it ego? Is it the lack of courage to admit that I need help? It’s like sometimes I feel like I’m sabotaging myself. And in those moments, I basically give up, you know? Or at least I feel like giving up. This emotion inspired “The Light.” It’s showcasing my vulnerability and from a first-person standpoint, admitting that I need help. I need support from others. I’m honestly still a work in progress, but I do think that so far, whenever I ask for help. This feeling of suffocation goes away. Even the act of asking helps, you know? So, it’s a reminder to myself and maybe a suggestion to others that getting help helps.

LITM: Who produces your tracks? How do you choose which producers to work with? Do you have some dream producers you'd like to work with?

CHAIDURA: I’m currently working with Alex Copp (producer of As December Falls). Honestly, Alex, the legend, approached me after hearing “Menace” on BBC Radio One. I kinda just went with it and we started a very good partnership and friendship. I’m excited to share more songs (in the upcoming EP) that are produced by both me and Alex.

In terms of dream producers, Zakk Cervini, Jordan Fish, and Daisuke Ehara (from Paledusk).

LITM: Have you ever been on tour?

CHAIDURA: I have never been on tour and I would love to do so. The performance aspect is so important for Chaidura. I do think that fans need to experience the live show to really understand what Chaidura is about. Personally, I also love interacting with fans, so the sooner I can do a tour and reach people, the better.

LITM: Who's your dream feature?

CHAIDURA: Kendrick Lamar. The collaboration would be the coolest thing ever.

LITM: Where do you see yourself in one year as a musician?

CHAIDURA: I hope to become a staple of the underground alternative scene in the UK.


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Review: The New Kid - SHEDDE0D

Written by Marilù Ciabattoni

Discovered via Musosoup

The latest album from Portuguese musician shedde0d, titled "The New Kid," unveils a captivating journey through electronic landscapes. With tracks like "Fading Toys" evoking a serene yet enigmatic ambiance and "Reunion Anxiety" bursting with synth-driven tension, the album offers a diverse spectrum of tones that remain melodically compelling even amidst their darker undertones.

shedde0d, in describing the creative process behind the album, emphasizes the spontaneous fusion of live takes, revealing a raw and intuitive approach to music-making. Despite lacking formal musical training and experiencing partial deafness in one ear, shedde0d's compositions emanate an improvisational allure that captivates listeners.

Many tracks on the album extend beyond the conventional duration, clocking in at over ten minutes, allowing ample space for exploration and immersion in their distinct atmospheric allure. "Reunion Anxiety" exemplifies this with its juxtaposition of pulsating synth motifs and tranquil resolutions, while "Beauty Imperfect" maintains a consistent nocturnal shimmer, drawing listeners into its understated brilliance.

A standout track, "Soft Tissue," envelops listeners in a hauntingly aquatic atmosphere, characterized by its undulating synth textures and ethereal melodies. Throughout "The New Kid," shedde0d skillfully weaves childhood memories into the fabric of his soundscapes, resulting in a deeply evocative and immersive sonic experience.

In essence, "The New Kid" stands as a testament to shedde0d's mastery of sound, effortlessly blending past influences with innovative sonic explorations, ultimately crafting a mesmerizing tapestry of electronic music.


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Review: Passing Moments Caught Forever - KINGSEEKER

Written by Marilù Ciabattoni

Discovered via Musosoup

Norwegian ensemble Kingseeker, renowned for their unyielding sonic impact, makes a triumphant return with their second album, "Passing Moments, Caught Forever." Two years following their debut release, "Daily Reminders," the band unveils a more mature and polished sound that embraces a "less is more" philosophy, prioritizing heavy riffs, infectious choruses, and fervent vocalizations.

"Passing Moments, Caught Forever" emerges as a masterclass in intensity and thematic profundity. Comprising Emil Bringsli on bass, Jan Magne Abel Opsahl on vocals, Marius Rød Tøftum on drums, and Aron Veliz on guitar, the band delivers a visceral odyssey delving into dreams, fabricated memories, nostalgia, and the awakening from entrenched beliefs.

The thematic journey of the album navigates the complexities of aging, grappling with life's intricacies, and the relentless pursuit of comprehension in a world shrouded in mystery. Kingseeker's adeptness at translating these profound concepts into a musical narrative speaks volumes about their artistic acumen.

From the onset, each track on "Passing Moments, Caught Forever" exudes potency. The thunderous riffs command attention, setting the stage for a sonic voyage that is both dynamic and cohesive. Kingseeker's bold fusion of aggression with melodic nuances creates an immersive sonic tapestry that leaves an enduring impression on the listener.

Jan Magne Abel Opsahl's vocals emerge as a standout feature, striking a delicate balance between chilling screams and a versatile vocal range. The emotional depth conveyed through his delivery adds layers of resonance to the album's overarching themes, transforming each track into a cathartic release of intensity and collective vision.

"Passing Moments, Caught Forever" eschews unnecessary embellishments, embodying a raw, unadulterated manifestation of musical prowess. The album's potency lies in its ability to strip away the excess, revealing only the core elements that define Kingseeker's dominance in the metal arena.

As Kingseeker beckons listeners to traverse the realms of dreams, nostalgia, and existential awakening, they offer an auditory excursion that transcends the confines of traditional metal. "Passing Moments, Caught Forever" transcends mere musicality; it is an odyssey, an exploration of the human experience, and a resounding testament to Kingseeker's significance in the contemporary metal milieu.


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Review: Sailing Symphony - KLEIN & JAMISON

Written by Marilù Ciabattoni

Discovered via Musosoup

Renowned composers and musicians Jim Klein and Ian Jamison, collectively known as Klein & Jamison, joined creative forces in 2018, hailing from the vibrant musical landscapes of Colorado and Arizona. Their collaborative endeavors have left an indelible mark on the music scene, captivating audiences worldwide with their innovative expression and unwavering dedication to the craft of music-making.

Their latest offering, the EP "Sailing Symphony," comprising four captivating tracks, showcases the duo's unparalleled talent and artistic vision.

The journey begins with "I. Sailaway," a mesmerizing composition that sets the stage for the EP's immersive sonic experience. With its enigmatic allure and captivating melodies, the track unfolds like a cinematic narrative, weaving a tapestry of emotions that resonates deeply with the listener. From moments of introspection to heightened drama, the seamless integration of synths, saxophone, and masterful piano work creates a spellbinding atmosphere that lingers long after the song concludes.

"Doldrums," the second track on the EP, unveils hidden depths with each passing moment, drawing the listener into its rhythmic embrace. Beneath its cheerful facade lies a rich tapestry of melodic textures and captivating harmonies, inviting the audience to surrender to its soothing allure.

"Storm," the third installment, transports listeners to the heart of nature's tumultuous embrace. From serene beginnings to the unsettling crescendo, the track captures the essence of inner turmoil and emotional upheaval. Through the evocative interplay of violin and synth work, "Storm" takes listeners on a gripping journey of exploration and introspection.

The EP reaches its triumphant conclusion with "Ahoy," a stirring ode to resilience and triumph over adversity. With its epic instrumentation and soaring melodies, the track encapsulates the full spectrum of human emotion, from jubilant celebration to profound relief.

Throughout "Sailing Symphony," Klein & Jamison masterfully navigate the complexities of the human experience, offering listeners a cinematic voyage through the depths of emotion and introspection. With each track, they invite audiences to embark on a transformative journey, where melody and harmony converge to create an unforgettable musical odyssey.


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Review: Neon Heights - The Screaming Pope

Written by Marilù Ciabattoni

Discovered via Musosoup

Neon Heights, the latest offering from The Screaming Pope, George Bolton's musical endeavor, is a captivating and minimalist album comprising 14 succinct tracks.

Admittedly, I was pleasantly surprised by the depth and variety showcased in this album, highlighting Bolton's impressive versatility as an artist. The infectious beats throughout the album are undeniably captivating and memorable.

"Movie Star," the album's longest track, sets the tone with its minimalist arrangement, serving as a backdrop for Bolton's vocals. "Pedal To The Floor" gradually fades away with eclectic percussion, leaving a lasting impression.

"Tunneling" stands out with its aggressive instrumentals, evoking the atmosphere of an underground club rave. In contrast, "Tall, Dark and Dangerous" returns to a melodic sound, blending delicate vocals with a chill beat, becoming a personal favorite.

"What It Feels Like" acts as a brief interlude leading to the title track, "Neon Heights," distinguished by a dramatic violin line reminiscent of a scene from a war movie.

"Rain is Pouring" introduces melancholic vocals over ethereal instrumentals, while "If You Wanna Vibe" injects elements of rap and hip-hop, highlighting the project's eclectic nature.

"When the Beat Drops" showcases captivating vocals and innovative sound effects, while "Devotion" juxtaposes sharp beats with bouncy vocals and other effects.

"I Want You" adopts a low-key vibe, reminiscent of the mysterious and sensual style of American R&B singer-songwriter ABRA. "Me Gusta" stands out as the only Spanish track, featuring Latin-inspired instrumentals and energetic vocals.

"I Won't" channels disco vibes reminiscent of Madonna's "Vogue," infusing the album with a nostalgic flair.

Neon Heights concludes dramatically with the ballad "The Battle," prompting introspection with its poignant question, "What are you even fighting for?" The track fades away, leaving listeners pondering the album's profound themes.

Overall, Neon Heights showcases Bolton's creative prowess and musical ingenuity, offering a diverse and immersive listening experience that lingers long after the final track fades.


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